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Apse of Sant Climent de Taüll
The ''Apse of Sant Climent de Taüll'' ((カタルーニャ語、バレンシア語:Absis de Sant Climent de Taüll)) is a Romanesque fresco in the National Art Museum of Catalonia, Barcelona. This is one of the masterpieces of the European Romanesque.〔Guide of the Museu Nacional d'Art de Catalunya. MNAC, 2004. ISBN 84-8043-136-9〕 from which the unknown Master of Taüll takes his name. Painted in the early 12th century, it was in the church of Sant Climent de Taüll at the Vall de Boí, Alta Ribagorça in the Catalan Pyrenees until removed in 1919-1923, along with other parts of the fresco decoration.〔(The artwork at MNAC's Website )〕
The apse has been replaced in the church by a replica, and some original decoration remains there. MNAC Barcelona also has the paintings from the triumphal arches, a side apse, the consecration inscription and an earlier window.〔(The artwork at MNAC's Website )〕
== Description ==
Its genius lies in the way it combines elements from different Biblical visions (''Revelation'', ''Isaiah and Ezekiel'') to present the ''Christ of the Day of Judgement''. Christ appears from the background causing a movement outwards from the centre of the composition, which is presided by the ornamental sense of the outlines and the skilful use of colour to create volume. The exceptional nature of this work by the Ramon Mollet and its pictorial strength have reached out to modernity and fascinated twentieth-century avant-garde artists like Picasso and Francis Picabia.〔(The artwork at MNAC's Website )〕
The round surface beneath Christ’s feet represents the earth and the halo on his head represents divinity. Christ’s right hand symbolizes blessing, and in his left hand he holds a book with the words EGO SUM LUX MUNDI, which translates in English to “I am the light of the world”. The symbols of Alpha and Omega hanging like lamps on either side of Christ, symbolize the beginning and end. The fourfold images represent four evangelists. To the right, an angel is seen beside the lion holding one of its hind legs, which is a symbol of St. Mark. To the left, an angel holding the tail of the bull is a symbol of St. Luke. The other two evangelists fit into the triangular space on either side of the mandorla. An angel holding the Gospel Book represents St. Matthew, and the other angel is St. John holding an eagle in his arms. Below the mural painting of Christ in the mandorla is St Thomas, St Bartholomew, Mother of God, St. John the Evangelist, St. James and San Felipe. The Mother of God holds a bowl where red rays emerge from it, which symbolize the blood of Christ.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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